
No doubt, Lauren Gunderson’s play is a modern techno-thriller that combines elements of murder mystery with a disturbing family saga. What a challenge for every theatre director to cope with Artificial Intelligence, short AI, on the stage! “Anthropology”, first premiered at London’s Hampstead Theatre in 2023, shows very clearly the pros and cons of this entirely new technology that becomes more and more an integral part in our lives, influencing our routine and daily activities. Cui bono – to whom is it a benefit? Wait and see what AI can achieve.
Girl gone – where is Angie?
We find Merril (Carolyn Maitland), a successful software engineer, in her ultra-modern office somewhere in Silicon Valley. She is in deep sorrow about the whereabouts of her younger sister Angie (Emma Langmaid) who disappeared over a year ago without leaving a trace. Has her sibling been kidnapped by a criminal or did she run away on her own initiative? As Merril is struggling with grief and guilt she creates a chatbot of Angie, assembled of every digital footprint, every social media post, voice mail and anything else similar. Angie’s digital simulation is now on her computer, to be turned on whenever Angie wishes to chat with Merril.
Is Angie still alive?
The police are unable to help Merril since there isn’t the slightest hint of Angie’s whereabouts. Anyway, the search is going on. However, without any result. When Merril in her distress has nearly giving up hope she hears Angie’s voice on her computer and she and Merril start gossiping as though nothing has happened. All of a sudden Angie’s picture plops up on the screen. But it is not she in the flesh but an algorithm, Angie’s AI “personality.” Gosh, we are lost in a sci-fi thriller. Angie’s picture disappears from one second to the other from Merril’s screen. Plop…
A friend calls

Raquel (Rachel Morris), Merril’s girlfriend, calls and advises Merril to cool down a bit. In her opinion, Merril’s overreaction is not helpful. No doubt, the strength is to be found in serenity. But Merril does not agree, and Raquel leaves for good. All of a sudden strange messages sent by a man named Bill Maplethorpe, turn up on Brins, Merril’s and Angie’s mother’s mobile. Bill is Brin’s divorced husband who died only recently. What are these messages all about? With the help of AI Angie Merril is now able to trace Angie’s whereabouts that are only a few blocks away from her office.
A Miracle happens
Out of the blue Angie is back. She is standing in Merril’s office swearing and blaming Brin (Catherine McDonough) her “fucking” mother for everything she had to go through during her long captivity in a kind of prison. It was Bill who kidnapped her, the psychopath husband of her mother. Shame on her, the irresponsible drug-addicted “fucking” mum, wo forgot to care properly for her young daughter. Brin is in tears and full of regret. She did not mean this to happen and asks for forgiveness.

Last Scene…
Merril and Angie decide to forget the criminal act as soon as possible, the more so as the abductor who caused Angie so much pain is dead Both are planning a better common future.
Conclusion
Wow – what a gripping play that mesmerizes the audience until the very last moment. According to one British critic it is the sign of a good writer to touch the “zeitgeist” just as the “geist” gets seriously gusty. And do not forget that “Anthropology” was conceived by Lauren Gunderson before Chat GPT escalated the fears about the threat of Artificial Intelligence usurping mankind’s own sentient endeavour. True enough. However, the fear that Artificial Intelligence will influence our lives negatively is absolutely justified. It embodies a high potential of manipulation which we can hardly escape. Just so.
Listen to critic Julia Rank’s judgment: “Gunderson ultimately seems cautiously optimistic that AI can be used as a tool for good if used wisely within this ethical minefield.” Let us hope for the best. Since if AI gets into to the wrong hands the results will probably be disastrous.
Thanks to director Paul Glaser and his four brilliant female protagonists – the only man involved in the play only posted messages, but remained invisible – the evening proved a great success.
Last performance of “Anthropology” on July 5, 2025.
Tickets under phone number: 040 – 227 70 89 or online under: www.englishtheatre.de
The next premiere after the theatre holidays will be announced later in our online magazine.
All photos by Stefan Kock.











Hamburger Museen, Ausstellungshäuser und Gedenkorte öffnen wieder ihre Türen zur Langen Nacht der Museen.




Am 12. und 13. April 2025, jeweils von 10 bis 17 Uhr öffnet die Eulsetehalle in Himmelpforten ihre Türen für alle Bücherliebhaber – und das bei freiem Eintritt! Die von der Initiative „…fair geht vor!“ organisierte Buchmesse verspricht ein abwechslungsreiches Programm, das Menschen aller Altersgruppen begeistert.
Ein besonderes Highlight in diesem Jahr: Die Olympiasiegerin Heike Henkel wird ihr neues Buch vorstellen und am Stand des Sibost-Verlags für Gespräche und Begegnungen mit ihren Lesern zur Verfügung stehen.



Die BuchDruckKunst feiert 2025 ihr 20. Jubiläum und lädt vom 4. bis 6. April erneut ins Museum der Arbeit ein. Die Messe für Erlesenes auf Papier bringt Liebhaberinnen und Freunde von feiner Buchkunst, künstlerischer Grafik und zeitgenössischem Druckhandwerk zusammen. Unter dem Motto „Herzblut und Werkschwarz“ präsentieren rund 60 Ausstellerinnen und Aussteller ihre Arbeiten, die von handwerklicher Präzision, gestalterischer Leidenschaft und dem Experimentieren mit klassischen Drucktechniken geprägt sind. „Werkschwarz“, die tiefschwarze Druckfarbe aus Ruß und Leinöl, steht in diesem Jahr symbolisch für das traditionsreiche Buchdruckhandwerk. Historische Maschinen und Techniken wie der Bleisatz, die Holzletter-Fräsen und der Druck auf Tiegel- und Schnellpressen werden während der Messe live vorgeführt.













